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A symphonic orchestra is a venue for a musical ensemble of up to approximately eighty musicians. These musicians are typically grouped together into several sections including the conductor or concertmaster, string players, woodwind players, brass and percussion instruments, and the keyboard. The term refers to any group of musicians playing orchestral music - it is not necessary for an orchestra to contain both woodwinds and brass instruments; what defines an "orchestra" is that all the instrumentalists are spread across two or three sections.A symphony has three classical formats: Sinfonietta (3 movements), Symphony (4 movements) and Concerto (any length). Orchestra scores are published in many music notation formats. The break down of the sections within the orchestra conforms to tradition. It is more necessary to know how each instrument contributes to the whole rather than which instrument plays which part. Orchestral parts are written either for one instrument or a set of instruments, called a part. Each part is typically broken into sub-parts or phrases, that are often marked with letters of the alphabet indicating their ordinal position within that subpart. This enables the composer to use precise phrasing. It is customary to number the parts in the order of their appearance in the score. The orchestra part usually comes first, followed by the other instrumental parts, then vocal lines and finally any solos or solo passages. If there are no cues for instruments that need not be played, or if they are not all playing at once, it is common practice for employees to engrave one number on each part or letter of each part.The length of an orchestra piece also distinguishes between concertos and symphonies. Concerti are shorter pieces while symphonies are longer ones. A piece of music that is meant for an orchestra but written for solo piano is called a piano concerto, one intended for piano and orchestra may be called a concerto for two pianos, or piano concerto.The literal meaning of the word "orchestra" is "the place where the chorus sings". The term "chorus" was used in the late 14th century to denote instrumental groups as well as singers that were part of the liturgy. The most influential composer in England circa 1515-1650 was John Taverner, who wrote music for at least fifty-five works designated as motets which were typically scored for four voices each with instrumental accompaniment. According to Richard C. Turbet, "In future centuries, the music of any country was not allowed to be performed in any other country, except England... It is interesting to note, however, that the choir of King's college had contained boys as well as adult singers."The first important composer for orchestra without specifically being called a chamber musician was Heinrich Schütz. He had three very distinct careers. His early years were spent studying with his principal teacher Giovanni Gabrieli, an Italian composer widely regarded as the most important composer of trumpet music during his lifetime. His middle career covers 1726 to 1728 when he worked on improving church services using many instruments.

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